Rich Rough Forest

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Old English rūh, rough. As a color modifier, rough implies an unfinished-and-coarse quality, the visual register of unfinished-stone-and-burlap hand-quarried-and-unprocessed coarse-and-unfinished-textile-and-stone hand-quarried-and-coarse surfaces under hand-quarried-and-unfinished workshop-light. Sits at the modifier-and-texture end of the grid, parallel to hewn and bark in usage.

The dense canopy of a temperate or tropical woodland — oak, beech, pine, eucalyptus, mahogany — wherever leaves close above to filter the light below. Forest green refers to the average reflectance of a healthy mid-summer canopy seen from below: a saturated, slightly muted green with the matte finish of layered chlorophyll. Deeper than fern, cooler than olive, with the ecological weight of a word that has named every wooded biome on Earth.