Beaming Topazio
Beaming Topazio (#FEAA59) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (29°, 99%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
The progressive participle of beam, to emit a directional light — used as a color word since the nineteenth century for hues that read as if focused and projecting. Beaming yellow, beaming pink: the implication is luminance combined with directionality. Sits at the bright-bucket center alongside radiant and glowing.
The Italian word for topaz — used in Renaissance jewelry vocabulary and Italian fashion writing for the warm gold-yellow of imperial topaz. The color refers to a faceted Italian-cut topazio: a saturated, slightly cool deep gold-yellow with the gem's signature internal warmth. The Italian cousin of topaz.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.