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Hyper Naples

#f5d862
Notes

Hyper Naples (#F5D862) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (48°, 88%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f5d862
RGB
rgb(245, 216, 98)
HSL
hsl(48, 88%, 67%)
HWB
hwb(48 38% 4%)
OKLCH
oklch(88.4% 0.140 95.6)
HSV
hsv(48, 60%, 96%)
LAB
lab(86.71% -3.50 60.51)
LCH
lch(86.71% 60.61 93.31)
CMYK
cmyk(0%, 12%, 60%, 4%)

Etymology

Hyper
adjective

Greek hyper, over / beyond — sharing root with Latin super. As a color modifier, hyper implies a saturated-and-over-the-top-active quality where the hue exceeds normal visual amplitude with maximum-stimulation register. Sits at the bright-and-over-active end of the grid, parallel to manic and frenetic in usage.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f5d862
Original
#ecd455
Protanopia
#f3dd68
Deuteranopia
#ffc9be
Tritanopia
#d6d6d6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.88:1

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