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Flaming Naples

#f3db68
Notes

Flaming Naples (#F3DB68) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (50°, 85%, 68%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f3db68
RGB
rgb(243, 219, 104)
HSL
hsl(50, 85%, 68%)
HWB
hwb(50 41% 5%)
OKLCH
oklch(88.9% 0.137 97.7)
HSV
hsv(50, 57%, 95%)
LAB
lab(87.35% -5.42 58.51)
LCH
lch(87.35% 58.76 95.29)
CMYK
cmyk(0%, 10%, 57%, 5%)

Etymology

Flaming
adjective

Old French flamme, flame — present-participle of flame. As a color modifier, flaming implies a saturated-and-fire-and-bright-color quality, the bright color of autumn-Maple-and-Oak deciduous-foliage fall-color and Yule-log fire emission. Sits at the bright-and-warm end of the grid, parallel to fiery and blazing in usage.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f3db68
Original
#eed65c
Protanopia
#f4de6d
Deuteranopia
#ffcdc1
Tritanopia
#d8d8d8
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.39:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
15.14:1

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