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Frantic Naples

#f3d563
Notes

Frantic Naples (#F3D563) is a true amber with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (48°, 86%, 67%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f3d563
RGB
rgb(243, 213, 99)
HSL
hsl(48, 86%, 67%)
HWB
hwb(48 39% 5%)
OKLCH
oklch(87.7% 0.137 94.7)
HSV
hsv(48, 59%, 95%)
LAB
lab(85.78% -2.73 58.98)
LCH
lch(85.78% 59.04 92.65)
CMYK
cmyk(0%, 12%, 59%, 5%)

Etymology

Frantic
adjective

Greek phrenitikós, frenzied — adjectival suffix, sharing root with phrenitis (delirium). As a color modifier, frantic implies a saturated-and-rushed-and-overactive quality, the bright color of Memphis-Group 1980s-design over-the-top saturated visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frenetic and manic in usage.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f3d563
Original
#e9d157
Protanopia
#f0da68
Deuteranopia
#ffc6bc
Tritanopia
#d3d3d3
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.45:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.51:1

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