Bright Stichtite
Bright Stichtite (#F29DF8) is a soft violet with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (296°, 87%, 79%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English beorht, shining, luminous — cognate with the German Bracht, splendor. Applied to color since at least the medieval period for hues that read as luminous: not just light in value but optically active, as if scattering more light back than a dimmer color of the same lightness would. Sits at the bright-bucket center alongside vivid and brilliant.
Rare violet-pink chromium-bearing mineral first described from the Dundas deposits of Tasmania in 1910 by Robert Sticht. Stichtite color refers to a polished Dundas stichtite-and-serpentine cabochon: a saturated, slightly cool deep violet with the silky finish of fibrous magnesium-chromium hydroxide-carbonate. The mineral is the chromium-substituted analog of brugnatellite, valued in lapidary work for its banded color.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.