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Sunlit Naples

#f1d358
Notes

Sunlit Naples (#F1D358) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (48°, 85%, 65%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f1d358
RGB
rgb(241, 211, 88)
HSL
hsl(48, 85%, 65%)
HWB
hwb(48 35% 5%)
OKLCH
oklch(87.0% 0.144 95.5)
HSV
hsv(48, 63%, 95%)
LAB
lab(84.99% -3.25 62.88)
LCH
lch(84.99% 62.97 92.96)
CMYK
cmyk(0%, 12%, 63%, 5%)

Etymology

Sunlit
adjective

Old English sunne (sun) plus past-participle līehted. As a color modifier, sunlit implies a saturated-and-direct-sunlight-illuminated quality, the bright color of southern-Mediterranean and Greek-island afternoon-sun direct-illumination surface emission. Sits at the bright-and-warm end of the grid, parallel to radiant and brilliant in usage.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f1d358
Original
#e7cf4a
Protanopia
#efd85e
Deuteranopia
#ffc4b9
Tritanopia
#d0d0d0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.48:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.20:1

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