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Hyper Vermiglione

#f1545b
Notes

Hyper Vermiglione (#F1545B) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (357°, 85%, 64%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#f1545b
RGB
rgb(241, 84, 91)
HSL
hsl(357, 85%, 64%)
HWB
hwb(357 33% 5%)
OKLCH
oklch(66.0% 0.192 21.6)
HSV
hsv(357, 65%, 95%)
LAB
lab(57.85% 60.51 29.61)
LCH
lch(57.85% 67.37 26.07)
CMYK
cmyk(0%, 65%, 62%, 5%)

Etymology

Hyper
adjective

Greek hyper, over / beyond — sharing root with Latin super. As a color modifier, hyper implies a saturated-and-over-the-top-active quality where the hue exceeds normal visual amplitude with maximum-stimulation register. Sits at the bright-and-over-active end of the grid, parallel to manic and frenetic in usage.

Vermiglione
noun

The Italian name for vermillion — used in the cinnabar-pigment chapters of Cennino Cennini's Il Libro dell'Arte and across Sienese and Florentine fresco. The color refers to vermiglione in a fifteenth-century altarpiece: a saturated, slightly orange red with the matte finish of egg-tempera-bound pigment. The Italian equivalent of bermellón.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#f1545b
Original
#7d765a
Protanopia
#a59757
Deuteranopia
#ff3058
Tritanopia
#767676
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.41:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.16:1

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