Spotlit Mustard
Spotlit Mustard (#EEA72D) is a true amber with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (38°, 85%, 55%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary azure. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
English compound spot + lit — past-participle of spotlight. As a color modifier, spotlit implies a saturated-and-narrow-beam-illuminated quality, the bright color of theatrical-stage-and-museum-display directed-spotlight focused-beam illumination. Sits at the bright-and-saturated end of the grid, parallel to sunlit and brilliant in usage.
The condiment ground from the seeds of Brassica nigra and Sinapis alba — cultivated in the Mediterranean and South Asia for at least four thousand years. The color refers to French Dijon-style prepared mustard: a warm, slightly muted gold-yellow with the dusty surface of a paste, deeper than honey and earthier than yolk. The seed itself ranges from pale tan to nearly black depending on species.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.