Cobwebby Daffodil
Cobwebby Daffodil (#EDF9DA) is a soft lime with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (83°, 72%, 92%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old English coppe-web, spider's-web — adjectival suffix -y. As a color modifier, cobwebby implies a pale-and-thin-and-network-like quality, the pale color of Victorian-Edwardian attic-and-cellar long-undisturbed cobweb-and-spider-silk thin-network-pattern surface. Sits at the pale-and-thin end of the grid, parallel to gossamer and filmy in usage.
Narcissus pseudonarcissus, the wild daffodil of British and European woodland. The color is the trumpet-shaped corona of a fully open daffodil at peak spring: a saturated, slightly orange-shifted yellow with the satiny finish of waxy petal tissue. Warmer than lemon, brighter than buttercup, with the seasonal weight of a flower that arrives before the trees have leaves.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.