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Dynamic Naples

#ecd157
Notes

Dynamic Naples (#ECD157) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (49°, 80%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ecd157
RGB
rgb(236, 209, 87)
HSL
hsl(49, 80%, 63%)
HWB
hwb(49 34% 7%)
OKLCH
oklch(86.1% 0.143 96.8)
HSV
hsv(49, 63%, 93%)
LAB
lab(84.03% -4.37 62.14)
LCH
lch(84.03% 62.29 94.02)
CMYK
cmyk(0%, 11%, 63%, 7%)

Etymology

Dynamic
adjective

From the Greek dynamis, power — used as a color modifier since the late nineteenth century for hues that read as energetic and active. Dynamic red, dynamic orange: the implication is saturation combined with optical motion. Sits at the bright-bucket center alongside vibrant and lively.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ecd157
Original
#e4cc49
Protanopia
#ecd55d
Deuteranopia
#fec2b7
Tritanopia
#cecece
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.52:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
13.82:1

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