Jazzed Zhusha
Jazzed Zhusha (#EA527D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (343°, 78%, 62%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
American slang jazz, liveliness — past-participle of jazz. As a color modifier, jazzed implies a saturated-and-excited-and-active quality, the bright color of American-Jazz-Age poster-and-album-cover saturated-and-rhythmic graphic-design. Sits at the bright-and-active end of the grid, parallel to caffeinated and wired in usage.
The Chinese name for cinnabar — mercury sulfide — ground into the imperial-seal pigment used in Chinese painting, lacquerware, and the carved cinnabar-lacquer ornaments of the Ming dynasty. The color refers to a freshly stamped zhusha seal on rice paper: a saturated, slightly orange red with the matte finish of fine mineral pigment. Cooler than vermillion, brighter than crimson.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.