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Scorching Naples

#e9d556
Notes

Scorching Naples (#E9D556) is a true amber with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (52°, 77%, 63%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e9d556
RGB
rgb(233, 213, 86)
HSL
hsl(52, 77%, 63%)
HWB
hwb(52 34% 9%)
OKLCH
oklch(86.6% 0.146 100.3)
HSV
hsv(52, 63%, 91%)
LAB
lab(84.79% -7.70 63.30)
LCH
lch(84.79% 63.76 96.94)
CMYK
cmyk(0%, 9%, 63%, 9%)

Etymology

Scorching
adjective

Old English scorcnian, to dry up — present-participle of scorch. As a color modifier, scorching implies a saturated-and-burning-hot quality, the bright color of Mojave-Desert-and-Death-Valley mid-afternoon high-temperature surface-emission. Sits at the bright-and-warm end of the grid, parallel to searing and sizzling in usage.

Naples
noun

Naples yellow (lead-tin yellow) — a lead-tin oxide pigment used in European oil painting from the medieval period through the nineteenth century. The color refers to Naples-yellow pigment in a Vermeer painting: a saturated, slightly red yellow-orange with the matte finish of lead-and-tin-based pigment. Cooler than turmeric.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e9d556
Original
#e8cf47
Protanopia
#edd75d
Deuteranopia
#fac7ba
Tritanopia
#d0d0d0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.49:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.12:1

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