Iridescent Porpora
Iridescent Porpora (#E9637D) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (348°, 75%, 65%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin Īris, rainbow — adjectival suffix -escent, named for the Greek goddess of the rainbow. As a color modifier, iridescent implies a saturated-and-multi-spectrum-shifting quality, the bright color of peacock-feather-and-soap-bubble structurally-colored-and-thin-film optical-interference patterns. Sits at the bright-and-shifting end of the grid, parallel to prismatic and holographic in usage.
The Italian word for the imperial purple of Roman tradition — derived from murex shells but borrowed in modern Italian color vocabulary for a deep, slightly red-shifted purple-red. The color refers to porpora-dyed Venetian silk: a saturated, slightly cool deep red-purple with the satin finish of plant-and-shell dye. Cooler than crimson, warmer than burgundy.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.