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Alit Lake

#e86052
Notes

Alit Lake (#E86052) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (6°, 77%, 62%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e86052
RGB
rgb(232, 96, 82)
HSL
hsl(6, 77%, 62%)
HWB
hwb(6 32% 9%)
OKLCH
oklch(65.9% 0.172 28.5)
HSV
hsv(6, 65%, 91%)
LAB
lab(58.17% 51.83 34.80)
LCH
lch(58.17% 62.43 33.88)
CMYK
cmyk(0%, 59%, 65%, 9%)

Etymology

Alit
adjective

Old English ā-lihtan, to alight — past-participle of alight. As a color modifier, alit implies a saturated-and-just-illuminated quality, the bright color of evening-streetlamp and Christmas-tree-light freshly-switched-on emission. Sits at the bright-and-warm end of the grid, parallel to aflame and aglow in usage.

Lake
noun

A general term for an organic pigment laked onto an inorganic base — particularly red lakes from kermes, cochineal, or madder, used in Renaissance and Baroque oil painting where pure plant or insect dyes lacked stability. The color refers to a cochineal lake-tinted glaze in a Vermeer painting: a saturated, slightly cool deep red with the matte translucency of a thin pigment-and-binder layer.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e86052
Original
#837950
Protanopia
#a5974f
Deuteranopia
#fe445d
Tritanopia
#7c7c7c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.23:1

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