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Flaming Tsutsuji

#e15ab2
Notes

Flaming Tsutsuji (#E15AB2) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (321°, 69%, 62%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#e15ab2
RGB
rgb(225, 90, 178)
HSL
hsl(321, 69%, 62%)
HWB
hwb(321 35% 12%)
OKLCH
oklch(66.8% 0.193 343.6)
P3
color(display-p3 0.8195 0.3869 0.6841)
HSV
hsv(321, 60%, 88%)
LAB
lab(58.54% 61.76 -20.43)
LCH
lch(58.54% 65.06 341.70)
CMYK
cmyk(0%, 60%, 21%, 12%)

Etymology

Flaming
adjective

Old French flamme, flame — present-participle of flame. As a color modifier, flaming implies a saturated-and-fire-and-bright-color quality, the bright color of autumn-Maple-and-Oak deciduous-foliage fall-color and Yule-log fire emission. Sits at the bright-and-warm end of the grid, parallel to fiery and blazing in usage.

Tsutsuji
noun

Japanese 躑躅, azalea (Rhododendron indicum and R. obtusum) — a beloved spring-flowering shrub of Japanese gardens, particularly the deep-magenta kirishima-tsutsuji cultivars from Kagoshima's Mt. Kirishima. Tsutsuji color refers to a fully bloomed kirishima-tsutsuji terminal truss in a Kyoto temple garden: a saturated, slightly cool deep magenta with the velvet finish of fresh five-petaled bell-flowers in dense terminal clusters.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#e15ab2
Original
#657fb5
Protanopia
#8c95af
Deuteranopia
#ee5a7e
Tritanopia
#7d7d7d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.33:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.31:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##E15AB2
Display P3
Display P3
color(display-p3 0.8195 0.3869 0.6841)
P3 has visible headroomOKLCH chroma 0.193

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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