Lush Procyon Brick

Middle English lush, possibly from lascious, lascivious — a word that drifted from sensual ripeness toward visual abundance. Used as a color word since the eighteenth century for the saturated greens of well-watered foliage and the deep saturated jewel tones of velvet upholstery. Used across the deep and bold buckets where the hue is simultaneously dark and vivid.

Greek προκύων, before-the-dog. As a color modifier, procyon implies a Canis-Minor-and-bright-foretaste-of-Sirius quality, the visual register of Canis-Minor-Procyon-and-Winter-Triangle hand-Canis-Minor-and-bright-foretaste-of-Sirius Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky procyon-and-Canis-Minor-and-bright-foretaste surfaces under Canis-Minor-Procyon-and-Winter-Triangle-and-Bortle-1-sky January-and-February-winter-zenith winter-stellar-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and altair in usage.

Fired clay, mineral red. The color refers to common building brick — iron-rich earthenware kilned to the specific dusky red-orange of a Victorian terrace, a Roman aqueduct, an adobe wall in New Mexico. Less saturated than ruby, warmer than burgundy, with a chalky cast that reads as architectural rather than decorative.