Frantic Begonia
Frantic Begonia (#DF67B6) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (321°, 65%, 64%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Greek phrenitikós, frenzied — adjectival suffix, sharing root with phrenitis (delirium). As a color modifier, frantic implies a saturated-and-rushed-and-overactive quality, the bright color of Memphis-Group 1980s-design over-the-top saturated visual-rhythm. Sits at the bright-and-active end of the grid, parallel to frenetic and manic in usage.
The genus Begonia — over 1,800 species named in 1690 for Michel Bégon, the French governor of Saint-Domingue who collected the original specimens. The color refers to a deep-pink wax begonia in summer bedding bloom: a saturated, slightly cool deep pink with the satiny finish of small five-petaled flowers above succulent leaves. Cooler than coral, warmer than fuchsia, with the bedding-plant ubiquity of a genus that adapts to almost any garden condition.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.