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Sunlit Suo

#dc5bb9
Notes

Sunlit Suo (#DC5BB9) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (316°, 65%, 61%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc5bb9
RGB
rgb(220, 91, 185)
HSL
hsl(316, 65%, 61%)
HWB
hwb(316 36% 14%)
OKLCH
oklch(66.5% 0.192 339.5)
P3
color(display-p3 0.8020 0.3884 0.7094)
HSV
hsv(316, 59%, 86%)
LAB
lab(58.23% 60.92 -25.00)
LCH
lch(58.23% 65.85 337.69)
CMYK
cmyk(0%, 59%, 16%, 14%)

Etymology

Sunlit
adjective

Old English sunne (sun) plus past-participle līehted. As a color modifier, sunlit implies a saturated-and-direct-sunlight-illuminated quality, the bright color of southern-Mediterranean and Greek-island afternoon-sun direct-illumination surface emission. Sits at the bright-and-warm end of the grid, parallel to radiant and brilliant in usage.

Suo
noun

Japanese 蘇芳, sappan-wood dye (Caesalpinia sappan) — derived from a Southeast Asian tree's heartwood, imported to Japan since the Nara period (710–794) for dyeing court robes a deep red-purple. Suo color refers to a suo-dyed Heian-period silk kinu: a saturated, slightly cool deep magenta with the silk luster of multi-bath sappan-wood dye on tussah silk. Distinct from akane (madder) and beni (safflower).

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc5bb9
Original
#617fbc
Protanopia
#8793b6
Deuteranopia
#e85e82
Tritanopia
#7d7d7d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.37:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.24:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DC5BB9
Display P3
Display P3
color(display-p3 0.8020 0.3884 0.7094)
P3 has visible headroomOKLCH chroma 0.192

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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