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Abundant Horus Ruby

#dc2255
Notes

Abundant Horus Ruby (#DC2255) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (344°, 73%, 50%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dc2255
RGB
rgb(220, 34, 85)
HSL
hsl(344, 73%, 50%)
HWB
hwb(344 13% 14%)
OKLCH
oklch(58.2% 0.216 13.1)
HSV
hsv(344, 85%, 86%)
LAB
lab(48.29% 69.76 19.98)
LCH
lch(48.29% 72.57 15.98)
CMYK
cmyk(0%, 85%, 61%, 14%)

Etymology

Abundant
adjective

Latin abundāre, to overflow — present-participle of abound. As a color modifier, abundant implies a saturated-and-plentiful quality where the hue carries surplus visual richness beyond minimum requirement. Sits at the bold-and-saturated end of the grid, parallel to plentiful and bountiful.

Horus
modifier

Egyptian Heru, falcon-headed-sky-god. As a color modifier, horus implies a falcon-headed-and-Eye-of-Horus quality, the visual register of Egyptian-Horus-and-Edfu-temple hand-falcon-headed-and-Eye-of-Horus Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh horus-and-falcon-headed-and-Eye-of-Horus surfaces under Egyptian-Horus-and-Edfu-temple-and-falcon-pharaoh Edfu-Aswan-temple-and-falcon-throne falcon-eye-light. Sits at the modifier-and-myth end of the grid, parallel to isis and thoth in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dc2255
Original
#5c5b56
Protanopia
#8a8050
Deuteranopia
#f1003a
Tritanopia
#4d4d4d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.77:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.40:1

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