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Sizzling Tampopo

#dada54
Notes

Sizzling Tampopo (#DADA54) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (60°, 64%, 59%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#dada54
RGB
rgb(218, 218, 84)
HSL
hsl(60, 64%, 59%)
HWB
hwb(60 33% 15%)
OKLCH
oklch(86.4% 0.154 109.2)
P3
color(display-p3 0.8549 0.8549 0.4148)
HSV
hsv(60, 61%, 85%)
LAB
lab(84.84% -16.51 63.81)
LCH
lch(84.84% 65.92 104.51)
CMYK
cmyk(0%, 0%, 61%, 15%)

Etymology

Sizzling
adjective

Imitative-onomatopoeic origin — present-participle of sizzle, with sound-and-action mimicry. As a color modifier, sizzling implies a saturated-and-hot-and-active quality, the bright color of Spanish-tapas-tapa hot-griddle iron-skillet surface-emission. Sits at the bright-and-warm end of the grid, parallel to searing and scorching in usage.

Tampopo
noun

The Japanese word for dandelionTaraxacum officinale, the cosmopolitan composite-family wildflower whose bright yellow heads dot Japanese spring lawns. Tampopo is also the title of a 1985 Itami Jūzō film about a ramen quest. The color refers to a fresh tampopo bloom: a saturated, slightly red yellow with the matte finish of small ray-florets.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#dada54
Original
#ead143
Protanopia
#ecd65c
Deuteranopia
#e8cdbe
Tritanopia
#d0d0d0
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.49:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
14.14:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##DADA54
Display P3
Display P3
color(display-p3 0.8549 0.8549 0.4148)
P3 has subtle headroomOKLCH chroma 0.154

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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