colors
Back to gallery

Imperial Amor Ruby

#da2e13
Notes

Imperial Amor Ruby (#DA2E13) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (8°, 84%, 46%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#da2e13
RGB
rgb(218, 46, 19)
HSL
hsl(8, 84%, 46%)
HWB
hwb(8 7% 15%)
OKLCH
oklch(57.8% 0.210 31.6)
HSV
hsv(8, 91%, 85%)
LAB
lab(48.15% 63.98 55.31)
LCH
lch(48.15% 84.57 40.85)
CMYK
cmyk(0%, 79%, 91%, 15%)

Etymology

Imperial
adjective

From the Latin imperialis, of the empire — applied to color since the medieval period for the hues reserved for sovereigns and empires: imperial purple of Tyrian dye, imperial yellow of Ming-dynasty porcelain. As a modifier, imperial implies saturation combined with the institutional weight of a color owned by a court. Sits in the bold-and-deep corner, alongside royal.

Amor
modifier

Latin amor, love. As a color modifier, amor implies a Latin-love-and-amor-vincit-omnia quality, the visual register of Vergilian-amor-and-Catullus-amor hand-Latin-love-and-amor-vincit-omnia Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria amor-and-Latin-love surfaces under Vergilian-amor-and-Catullus-amor-and-Ovid-Ars-Amatoria Augustan-Rome-and-Renaissance-Italy Roman-love-light. Sits at the modifier-and-Latin end of the grid, parallel to vita and via in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#da2e13
Original
#665a09
Protanopia
#908000
Deuteranopia
#f1002b
Tritanopia
#515151
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.79:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.38:1

Related Colors

Canvas