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Bastioned Jupiter Crimson

#da213a
Notes

Bastioned Jupiter Crimson (#DA213A) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (352°, 74%, 49%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#da213a
RGB
rgb(218, 33, 58)
HSL
hsl(352, 74%, 49%)
HWB
hwb(352 13% 15%)
OKLCH
oklch(57.3% 0.214 21.7)
HSV
hsv(352, 85%, 85%)
LAB
lab(47.37% 68.13 35.07)
LCH
lch(47.37% 76.63 27.24)
CMYK
cmyk(0%, 85%, 73%, 15%)

Etymology

Bastioned
adjective

Italian bastionato, fortified-with-bastions — past-participle of bastion, derived from bastia (fortified-tower). As a color modifier, bastioned implies a saturated-and-fortified-and-projecting quality, the deep-rich color of Vauban-period military-fortress star-fort projecting-bastion stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and buttressed.

Jupiter
modifier

Latin Iuppiter, Roman-king-of-gods-and-fifth-planet. As a color modifier, jupiter implies a Roman-king-of-gods-and-fifth-planet-and-gas-giant quality, the visual register of Roman-Jupiter-Optimus-Maximus-and-Galileo-moons hand-Roman-king-of-gods-and-fifth-planet-and-gas-giant Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot jupiter-and-Roman-king-of-gods surfaces under Roman-Jupiter-Optimus-Maximus-and-Galileo-moons-and-Great-Red-Spot Capitoline-Hill-and-Galilean-moon-discovery king-of-planets-light. Sits at the modifier-and-zodiac end of the grid, parallel to venus and saturn in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

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Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#da213a
Original
#5f5739
Protanopia
#8c7e33
Deuteranopia
#f0002d
Tritanopia
#4a4a4a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.93:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.26:1

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