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Resounding Druid Crimson

#d8625c
Notes

Resounding Druid Crimson (#D8625C) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (3°, 61%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d8625c
RGB
rgb(216, 98, 92)
HSL
hsl(3, 61%, 60%)
HWB
hwb(3 36% 15%)
OKLCH
oklch(64.0% 0.150 25.1)
P3
color(display-p3 0.7897 0.4112 0.3781)
HSV
hsv(3, 57%, 85%)
LAB
lab(56.20% 45.88 26.12)
LCH
lch(56.20% 52.79 29.65)
CMYK
cmyk(0%, 55%, 57%, 15%)

Etymology

Resounding
adjective

Latin resonāre, to echo back — present-participle of resound. As a color modifier, resounding implies a saturated-and-echoing-and-imposing quality where the hue reverberates visually like a cathedral-bell ring. Sits at the bold-and-resonant end of the grid, parallel to resonant and booming in usage.

Druid
modifier

Latin Druidae, Druids. As a color modifier, druid implies a Celtic-priest-and-mistletoe quality, the visual register of Celtic-British-and-Gaulish-Druidic Druidic hand-cut sacred-grove-and-mistletoe-and-stone-circle pre-Christian-Celtic surfaces under Celtic-British-and-Gaulish Druidic sacred-grove-and-stone-circle dawn light. Sits at the modifier-and-cultural end of the grid, parallel to celtic and gaul in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d8625c
Original
#7f775b
Protanopia
#9c9059
Deuteranopia
#eb4e61
Tritanopia
#7b7b7b
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.61:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
5.82:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D8625C
Display P3
Display P3
color(display-p3 0.7897 0.4112 0.3781)
P3 has subtle headroomOKLCH chroma 0.150

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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