Velvety Orion Crimson

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Greek Ὠρίων, hunter-of-the-myth. As a color modifier, orion implies a winter-hunter-and-belt-and-shoulder quality, the visual register of winter-Orion-and-Belt-of-Orion hand-winter-hunter-and-belt-and-shoulder winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky orion-and-winter-hunter-and-belt-and-shoulder surfaces under winter-Orion-and-Belt-of-Orion-and-Bortle-1-sky January-and-February-winter-zenith winter-constellation-light. Sits at the modifier-and-cosmic end of the grid, parallel to rigel and cygnus in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.