Heavy Slab Crimson

Old English hefig, weighty — cognate with heave. Used as a color modifier since at least the seventeenth century to indicate weight in saturation as much as value: heavy with pigment, heavy-bodied. In the engine's adjective grid, heavy sits alongside deep and plush in the dark-and-saturated quadrant. Closer to a fabric description than a pure value word.

Old French esclape, splinter / slab. As a color modifier, slab implies a flat-thick-stone-or-wood quality, the visual register of Cotswold-and-Yorkshire-flagstone-and-slab hand-quarried-and-flat-thick stone-and-timber-and-marble hand-quarried-flat-thick-slab surfaces under Cotswold-and-Yorkshire flagstone-and-slab quarry-light. Sits at the modifier-and-texture end of the grid, parallel to plate and tile in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.