Noble Vesper Ruby
Noble Vesper Ruby (#D70F4B) is a true red with a neon character. It sits at the high-saturation edge of its family. Use it sparingly, as signage, accent, or highlight against darker surfaces. Its HSL profile (342°, 87%, 45%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin nōbilis, well-known / illustrious — sharing root with gnōscere (to know). As a color modifier, noble implies a saturated-and-dignified-and-aristocratic quality, the deep-rich color of pre-modern European noble-class hereditary-aristocratic livery-and-armorial bearings. Sits at the bold-and-aristocratic end of the grid, parallel to aristocratic and highborn in usage.
Latin vespera, evening. As a color modifier, vesper implies an evening-prayer-and-dusk quality, the visual register of Roman-Catholic-and-Orthodox-Vespers evening-prayer-and-dusk hour-of-day evening-prayer-and-incense liturgical surfaces under Vespers-and-Compline ecclesiastical-evening candlelight. Sits at the modifier-and-time end of the grid, parallel to eve and knell in usage.
From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.