Unblemished Sunflower
Unblemished Sunflower (#D6ED9D) is a soft lime with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (77°, 69%, 77%) places it in the balanced band at a light lightness. It works as a background wash, large-area fill, or soft illustration tone. Add a darker ink of the same hue when you need type over it. For a confident two-color system, pair it with its complementary indigo. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old French blesmir, to wound — negative-prefix un- plus past-participle of blemish. As a color modifier, unblemished implies a clear-and-flawless quality where the hue carries no defect or imperfection. Sits at the crisp-and-clean end of the grid, parallel to pristine and spotless in usage.
Helianthus annuus, the North American annual whose ray florets follow the sun across the sky during the early bud stage and then settle east-facing once mature. The color refers to a fully open sunflower's ray petals: a saturated, slightly orange-shifted yellow with the satiny finish of bee-pollinated bloom. Van Gogh's signature yellow, the unifying color of a Tuscan field, the cover crop of a Ukrainian summer.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.