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Splashy Jīnhuáng

#d3ce51
Notes

Splashy Jīnhuáng (#D3CE51) is a true yellow with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (58°, 60%, 57%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary blue. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d3ce51
RGB
rgb(211, 206, 81)
HSL
hsl(58, 60%, 57%)
HWB
hwb(58 32% 17%)
OKLCH
oklch(83.2% 0.145 107.0)
P3
color(display-p3 0.8240 0.8085 0.3969)
HSV
hsv(58, 62%, 83%)
LAB
lab(81.06% -13.62 60.86)
LCH
lch(81.06% 62.37 102.61)
CMYK
cmyk(0%, 2%, 62%, 17%)

Etymology

Splashy
adjective

Imitative-onomatopoeic origin — adjectival suffix -y, evoking the sound of liquid impact. As a color modifier, splashy implies a saturated-and-attention-grabbing-and-bold quality, the bright color of Pop-Art-and-1950s-Tiki mid-century-modern showy-decor advertising-and-display. Sits at the bright-and-flamboyant end of the grid, parallel to showy and flamboyant in usage.

Jīnhuáng
noun

Chinese for gold-yellow — combining jīn (gold) and huáng (yellow). Used in the imperial-yellow silks of late Qing dynasty court robes and the gilt-and-yellow lacquer of Buddhist altarpieces. The color refers to jīnhuáng-glazed Yongzheng-period porcelain: a saturated, slightly cool deep gold-yellow with the high gloss of fired glaze.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d3ce51
Original
#dec742
Protanopia
#e1cc58
Deuteranopia
#e1c1b4
Tritanopia
#c6c6c6
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon White
1.65:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon Black
12.72:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D3CE51
Display P3
Display P3
color(display-p3 0.8240 0.8085 0.3969)
P3 has subtle headroomOKLCH chroma 0.145

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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