Devout Frieze Crimson

From the Latin devotus, consecrated — used principally in religious contexts for the dignified deep colors of sacred art and ecclesiastical dress. As a color modifier, devout implies saturation combined with restraint: the deep blues of Marian mantles, the deep reds of cardinals' robes. Sits in the bold-and-formal corner alongside imperial.

Old French frise, band-of-decoration. As a color modifier, frieze implies a horizontal-decorative-band quality, the visual register of Greek-Parthenon-and-Roman-Imperial-frieze hand-carved Doric-and-Ionic-and-Corinthian classical-decorative-frieze architectural surfaces under classical-frieze decorative-band light. Sits at the modifier-and-architecture end of the grid, parallel to eave and plinth in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.