Manic Muse Goldenrod

Greek manikós, raving / mad — sharing root with mania. As a color modifier, manic implies a saturated-and-overstimulated-and-extreme quality, the bright color of Andy-Warhol-and-Pop-Art late-Pop-Art repeated-and-multiplied portrait color schemes. Sits at the bright-and-active end of the grid, parallel to hyper and frenetic in usage.

Latin Musa, goddess-of-inspiration. As a color modifier, muse implies a contemplative-and-inspired-and-poetic quality, the visual register of Helicon-spring-and-Parnassus-muse hand-contemplative-and-inspired-and-poetic Helicon-spring-and-Parnassus-and-Castalian-fount mused-and-contemplative-and-inspired-and-poetic surfaces under Helicon-spring-and-Parnassus-and-Castalian-fount laurel-and-lyre-and-tablet poet's-grove-light. Sits at the modifier-and-mood end of the grid, parallel to mull and brood in usage.

Solidago, the late-summer wildflower of North American meadows whose tall sprays of small yellow flowers signal the end of the growing season. The color refers to the flower head at full bloom: a warm, slightly muted yellow-orange with the matte finish of small clustered florets. Cooler than mustard, deeper than dandelion. The state flower of Kentucky and Nebraska, a pollinator magnet, and the original native dye for early American homespun.