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Holographic Jambū

#d260ba
Notes

Holographic Jambū (#D260BA) is a true magenta with a cool character. It leans cool, sitting on the blue, green, and violet side of the wheel. Quiet and dependable, a fit for product UI and data visualization. Its HSL profile (313°, 56%, 60%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#d260ba
RGB
rgb(210, 96, 186)
HSL
hsl(313, 56%, 60%)
HWB
hwb(313 38% 18%)
OKLCH
oklch(65.8% 0.178 336.2)
P3
color(display-p3 0.7679 0.4023 0.7129)
HSV
hsv(313, 54%, 82%)
LAB
lab(57.67% 55.97 -26.56)
LCH
lch(57.67% 61.96 334.61)
CMYK
cmyk(0%, 54%, 11%, 18%)

Etymology

Holographic
adjective

Greek hólos (whole) and graphé (writing) — adjectival suffix -ic. As a color modifier, holographic implies a saturated-and-multi-angle-shifting quality, the bright color of holographic-credit-card and trading-card dichroic-film 3D-image-reflection. Sits at the bright-and-shifting end of the grid, parallel to iridescent and prismatic in usage.

Jambū
noun

Sanskrit जम्बू, the rose-apple (Syzygium jambos) — the eponymous fruit of Jambūdvīpa, the Continent of the Jambu Tree in Hindu and Buddhist cosmology, and a stock floral motif in Sanskrit poetry. Jambū color refers to a freshly cut Syzygium jambos drupe: a saturated, slightly cool deep violet with the matte finish of anthocyanin-rich fruit-flesh on the cut surface.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#d260ba
Original
#6180bd
Protanopia
#8391b7
Deuteranopia
#dc6585
Tritanopia
#7f7f7f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon White
3.43:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon Black
6.12:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##D260BA
Display P3
Display P3
color(display-p3 0.7679 0.4023 0.7129)
P3 has subtle headroomOKLCH chroma 0.178

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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