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Buttressed Tatar Ruby

#ce0949
Notes

Buttressed Tatar Ruby (#CE0949) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (341°, 92%, 42%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#ce0949
RGB
rgb(206, 9, 73)
HSL
hsl(341, 92%, 42%)
HWB
hwb(341 4% 19%)
OKLCH
oklch(54.4% 0.214 13.7)
P3
color(display-p3 0.7407 0.1646 0.2963)
HSV
hsv(341, 96%, 81%)
LAB
lab(43.95% 69.30 21.17)
LCH
lch(43.95% 72.46 16.99)
CMYK
cmyk(0%, 96%, 65%, 19%)

Etymology

Buttressed
adjective

Old French bouterez, thrusting-mass — past-participle of buttress, derived from bouter (to thrust). As a color modifier, buttressed implies a saturated-and-architecturally-supported quality, the deep-rich color of Gothic-Cathedral flying-buttress-and-rib-vault stone-architecture. Sits at the bold-and-fortified end of the grid, parallel to fortified and reinforced.

Tatar
modifier

Mongolian Tatar, Tatar. As a color modifier, tatar implies a Kazan-and-Crimean-Khanate quality, the visual register of Tatar-Khanate-of-Kazan-and-Crimea Mongol-successor Central-Asian-and-Eastern-European hand-built Khanate-and-trading-city surfaces under Kazan-and-Crimean Tatar-Khanate post-Mongol-successor trading-and-fortress light. Sits at the modifier-and-cultural end of the grid, parallel to mongol and hun in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#ce0949
Original
#51504a
Protanopia
#7f7544
Deuteranopia
#e2002c
Tritanopia
#383838
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.59:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.76:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##CE0949
Display P3
Display P3
color(display-p3 0.7407 0.1646 0.2963)
P3 has visible headroomOKLCH chroma 0.214

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas