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Booming Parsec Rose

#cd2b25
Notes

Booming Parsec Rose (#CD2B25) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (2°, 69%, 47%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#cd2b25
RGB
rgb(205, 43, 37)
HSL
hsl(2, 69%, 47%)
HWB
hwb(2 15% 20%)
OKLCH
oklch(55.3% 0.199 28.1)
HSV
hsv(2, 82%, 80%)
LAB
lab(45.42% 61.40 44.01)
LCH
lch(45.42% 75.54 35.63)
CMYK
cmyk(0%, 79%, 82%, 20%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Parsec
modifier

Coined 1913, parallax-second. As a color modifier, parsec implies a deep-space-and-stellar-distance quality, the visual register of 3.26-light-year-parsec hand-deep-space-and-stellar-distance 3.26-light-year-and-Hipparcos-and-Gaia-parsec parsec-and-deep-space-and-stellar-distance surfaces under 3.26-light-year-and-Hipparcos-and-Gaia-parsec galactic-cartography-and-stellar-cradle stellar-distance-light. Sits at the modifier-and-cosmic end of the grid, parallel to orbit and nebula in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#cd2b25
Original
#5f5522
Protanopia
#87781c
Deuteranopia
#e2002c
Tritanopia
#4d4d4d
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.29:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.97:1

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