Lordly Mirth Rose

Old English hlāford-līc, lord-like — adjectival suffix -ly. As a color modifier, lordly implies a saturated-and-aristocratic-and-haughty quality, the deep-rich color of pre-modern English-and-French manorial-aristocracy livery and hereditary-estate household-textile. Sits at the bold-and-aristocratic end of the grid, parallel to princely and patrician.

Old English myrgth, joy-or-pleasure. As a color modifier, mirth implies a hearty-and-laughing-and-festive quality, the visual register of Twelfth-Night-and-Mardi-Gras-mirth hand-hearty-and-laughing-and-festive Twelfth-Night-and-Mardi-Gras-and-Saturnalia mirthed-and-hearty-and-laughing-and-festive surfaces under Twelfth-Night-and-Mardi-Gras-and-Saturnalia banquet-hall-and-festival-square candlelit-revelry-light. Sits at the modifier-and-mood end of the grid, parallel to glee and merry in usage.

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.