Rich Corona Crimson

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Latin corona, crown-or-circle-of-light. As a color modifier, corona implies a sun-corona-and-eclipse-halo quality, the visual register of total-solar-eclipse-corona hand-sun-corona-and-eclipse-halo total-solar-eclipse-and-Sun-corona-and-Bailey's-Beads corona-and-sun-corona-and-eclipse-halo surfaces under total-solar-eclipse-and-Sun-corona-and-Bailey's-Beads totality-and-Moon-shadow-and-pearl ring-of-fire-light. Sits at the modifier-and-cosmic end of the grid, parallel to prism and nebula in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.