Praetorian Bermellón
Praetorian Bermellón (#C84E49) is a true red with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (2°, 54%, 54%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Latin praetōriānus, of the praetor — adjectival suffix, referring to the Roman-Imperial elite guard-cohorts. As a color modifier, praetorian implies a saturated-and-elite-and-imperial-guard quality, the deep-rich color of Roman-Praetorian-Guard elite-imperial-bodyguard scarlet-tunic-and-bronze-armor military-formation. Sits at the bold-and-formal end of the grid, parallel to spartan and imperial.
Spanish for vermillion — the cinnabar-derived pigment used in the painted altarpieces of Castilian and Andalusian baroque. The color refers to a freshly mixed bermellón in a Sevillian polychrome workshop: a saturated, slightly orange red with the high gloss of pigment in oil. The Spanish equivalent of shu — different language, same mineral.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.