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Hefty Taurus Ruby

#c50e44
Notes

Hefty Taurus Ruby (#C50E44) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (342°, 87%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#c50e44
RGB
rgb(197, 14, 68)
HSL
hsl(342, 87%, 41%)
HWB
hwb(342 5% 23%)
OKLCH
oklch(52.8% 0.205 14.6)
P3
color(display-p3 0.7084 0.1632 0.2773)
HSV
hsv(342, 93%, 77%)
LAB
lab(42.16% 66.33 21.62)
LCH
lch(42.16% 69.76 18.05)
CMYK
cmyk(0%, 93%, 65%, 23%)

Etymology

Hefty
adjective

Old English hefig, heavy — adjectival suffix -y. As a color modifier, hefty implies a saturated-and-substantial-and-weighty quality where the hue carries the visual heft of a hand-cast pig-iron object. Sits at the bold-and-weighty end of the grid, parallel to substantial and weighty in usage.

Taurus
modifier

Latin taurus, bull-of-the-zodiac. As a color modifier, taurus implies a bull-and-earth-sign-and-Venus-ruled-fixed-earth quality, the visual register of Mesopotamian-bull-and-Greek-Taurus hand-bull-and-earth-sign-and-Venus-ruled-fixed-earth Mesopotamian-bull-and-Greek-Taurus-and-Pleiades-cluster taurus-and-bull-and-earth-sign surfaces under Mesopotamian-bull-and-Greek-Taurus-and-Pleiades-cluster spring-and-April-and-May fixed-earth-sign-light. Sits at the modifier-and-zodiac end of the grid, parallel to aries and gemini in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#c50e44
Original
#4f4c44
Protanopia
#7a703f
Deuteranopia
#d9002a
Tritanopia
#393939
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.97:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.52:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##C50E44
Display P3
Display P3
color(display-p3 0.7084 0.1632 0.2773)
P3 has visible headroomOKLCH chroma 0.205

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

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