Velvety Coast Crimson

An adjectival form of velvet, used since the eighteenth century for colors that read as if they had the matte light-absorbing quality of velvet. Implies high saturation combined with a non-glossy surface — the matte richness of a deep wine in a fabric rather than in a glass. Sits in the bold-and-deep corner of the grid alongside plush and lush.

Latin costa, rib / side. As a color modifier, coast implies a sea-edge-and-salt-air quality, the visual register of Atlantic-and-Mediterranean shoreline fishing-village stone-and-lime-stucco-and-sun-bleached-textile working-life surfaces against the working-and-receiving sea. Sits at the modifier-and-place end of the grid, parallel to shore and strand in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.