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Valiant Opus Rose

#bf1242
Notes

Valiant Opus Rose (#BF1242) is a true red with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (343°, 83%, 41%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bf1242
RGB
rgb(191, 18, 66)
HSL
hsl(343, 83%, 41%)
HWB
hwb(343 7% 25%)
OKLCH
oklch(51.7% 0.199 14.8)
P3
color(display-p3 0.6869 0.1647 0.2693)
HSV
hsv(343, 91%, 75%)
LAB
lab(41.07% 64.19 21.21)
LCH
lch(41.07% 67.60 18.29)
CMYK
cmyk(0%, 91%, 65%, 25%)

Etymology

Valiant
adjective

Latin valēns, strong — present-participle of valēre, sharing root with English value and valor. As a color modifier, valiant implies a saturated-and-courageous-and-firm quality, the deep-rich color of Crusader-and-Knight-Templar military-religious-order vestment. Sits at the bold-and-chivalrous end of the grid, parallel to gallant and heroic in usage.

Opus
modifier

Latin opus, work-or-composition. As a color modifier, opus implies a Latin-work-and-Magnum-Opus-and-Opus-Dei quality, the visual register of Magnum-Opus-and-musical-opus-number hand-Latin-work-and-Magnum-Opus-and-Opus-Dei Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus opus-and-Latin-work surfaces under Magnum-Opus-and-musical-opus-number-and-medieval-cathedral-opus monastic-scriptorium-and-medieval-cathedral-fabric craft-and-composition-light. Sits at the modifier-and-Latin end of the grid, parallel to magnus and ergo in usage.

Rose
noun

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bf1242
Original
#4d4b42
Protanopia
#776d3d
Deuteranopia
#d2002a
Tritanopia
#3a3a3a
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.21:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.38:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BF1242
Display P3
Display P3
color(display-p3 0.6869 0.1647 0.2693)
P3 has visible headroomOKLCH chroma 0.199

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas