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Unwavering Ray Ruby

#bf0b49
Notes

Unwavering Ray Ruby (#BF0B49) is a true magenta with a vibrant character. It holds its own as a focal accent, carrying visual weight without tipping into neon territory. Its HSL profile (339°, 89%, 40%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bf0b49
RGB
rgb(191, 11, 73)
HSL
hsl(339, 89%, 40%)
HWB
hwb(339 4% 25%)
OKLCH
oklch(51.6% 0.202 11.6)
P3
color(display-p3 0.6866 0.1540 0.2930)
HSV
hsv(339, 94%, 75%)
LAB
lab(40.90% 65.47 16.56)
LCH
lch(40.90% 67.54 14.19)
CMYK
cmyk(0%, 94%, 62%, 25%)

Etymology

Unwavering
adjective

Old English un- (negation) plus wafrian (to flicker). As a color modifier, unwavering implies a saturated-and-constant quality where the hue maintains its full strength without flicker or shift. Sits at the bold-and-firm end of the grid, parallel to steadfast and firm in usage.

Ray
modifier

Latin radius, spoke-or-beam. As a color modifier, ray implies a radiant-and-spoke-of-light quality, the visual register of Bernini-Gloria-and-Baroque-altarpiece-ray hand-radiant-and-spoke-of-light Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation rayed-and-radiant-and-spoke-of-light surfaces under Bernini-Gloria-and-Baroque-altarpiece-and-Counter-Reformation gilded-spoke-and-altar-and-cathedral-dome heavenly-light. Sits at the modifier-and-mood end of the grid, parallel to beam and gleam in usage.

Ruby
noun

From the Latin ruber — simply, red. The gemstone is a chromium-tinged corundum, harder than anything in nature except diamond, and so saturated that a fine Burmese pigeon's blood ruby at auction outpaces a comparable diamond by weight. The color borrows the gem's confidence: a clear, glassy red without the brown of garnet or the blue of crimson.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bf0b49
Original
#4a4a4a
Protanopia
#756c44
Deuteranopia
#d2002c
Tritanopia
#363636
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
6.25:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
3.36:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BF0B49
Display P3
Display P3
color(display-p3 0.6866 0.1540 0.2930)
P3 has visible headroomOKLCH chroma 0.202

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

Related Colors

Canvas