Rich Mope Rose

Old French riche, wealthy, abundant — applied to color since the medieval period for hues that read as plentiful in pigment. Rich red, rich brown: the implication is depth combined with saturation, a color that gives the eye more to absorb. Sits at the saturated mid-light corner of the engine's grid, slightly warmer than bold and deeper than vivid.

Origin obscure, attested c. 1568, to-be-listless-and-dejected. As a color modifier, mope implies a listless-and-dejected-and-slumped quality, the visual register of Victorian-melancholy-and-rainy-Sunday-mope hand-listless-and-dejected-and-slumped Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon moped-and-listless-and-dejected-and-slumped surfaces under Victorian-melancholy-and-rainy-Sunday-and-bored-afternoon dripping-eaves-and-grey-window slumped-window-seat-light. Sits at the modifier-and-mood end of the grid, parallel to brood and sigh in usage.

The Latin rosa, the Greek rhodon, the Persian gul — every European language has a different name for the same flower and the same color. Rose covers the spectrum from blush to fuchsia depending on the cultivar, but in pigment shorthand it means a cool, slightly bluish red — the inside of a damask petal, the dye that washes out of madder root.