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Booming Hyacinthine

#bb3bba
Notes

Booming Hyacinthine (#BB3BBA) is a true violet with an earthy character. It leans grounded and natural, the kind of color that plays well with wood, clay, linen, and warm neutrals. Its HSL profile (300°, 52%, 48%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary green. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#bb3bba
RGB
rgb(187, 59, 186)
HSL
hsl(300, 52%, 48%)
HWB
hwb(300 23% 27%)
OKLCH
oklch(58.5% 0.216 328.2)
P3
color(display-p3 0.6774 0.2689 0.7075)
HSV
hsv(300, 68%, 73%)
LAB
lab(48.56% 65.60 -41.05)
LCH
lch(48.56% 77.38 327.96)
CMYK
cmyk(0%, 68%, 1%, 27%)

Etymology

Booming
adjective

Imitative-onomatopoeic origin — present-participle of boom, sharing root with Dutch bommen. As a color modifier, booming implies a saturated-and-loud-and-confident quality where the hue announces itself with full visual amplitude. Sits at the bold-and-resonant end of the grid, parallel to resounding and thunderous.

Hyacinthine
noun

Purple dye of late-classical antiquity, mentioned in Pliny the Elder's Natural History (77 CE) as a substitute for the more expensive Tyrian purple, derived from a combination of woad and madder. Hyacinthine color refers to a hyacinthine-dyed Roman toga praetexta border: a saturated, slightly cool deep violet with the matte finish of multi-bath woad-and-madder overdye on woolen toga cloth. Slightly cooler than Tyrian.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#bb3bba
Original
#2869be
Protanopia
#5c79b7
Deuteranopia
#c14d76
Tritanopia
#5f5f5f
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
4.72:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.45:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##BB3BBA
Display P3
Display P3
color(display-p3 0.6774 0.2689 0.7075)
P3 has visible headroomOKLCH chroma 0.216

This color is chromatic enough that authoring it as P3 native (instead of clamping to sRGB) gives a perceptibly more saturated render on wide-gamut displays — modern Macs, iPhones, iPads, and most recent OLED laptops.

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