Opulent Dome Crimson

Latin opulentus, rich / wealthy — derived from ops (wealth). As a color modifier, opulent implies a saturated-and-luxurious quality, the deep-rich color of Belle-Époque and Gilded-Age interior-decoration silk-and-velvet textiles. Sits at the bold-and-saturated end of the grid, parallel to lavish and sumptuous.

Latin domus, house. As a color modifier, dome implies a hemispherical-vaulted-roof quality, the visual register of Roman-Pantheon-and-Hagia-Sophia-and-Taj-Mahal hand-built hemispherical-roof dome-and-cupola architectural surfaces under monumental-dome interior-and-exterior architectural light. Sits at the modifier-and-architecture end of the grid, parallel to cupola and arch in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.