Refreshing Luna Verdigris
Refreshing Luna Verdigris (#B6FEE8) is a soft teal with a pastel character. It reads calm and airy, with enough chroma to feel intentional rather than washed out. Its HSL profile (162°, 97%, 85%) places it in the highly saturated band at a light lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary red. For something softer, pull in its analogous neighbors on either side of the wheel.
Etymology
Old French refreschir, to make fresh again — present-participle of refresh. As a color modifier, refreshing implies a clear-and-cool-and-revitalizing quality, the crisp color of Cornish-coast and Hebridean-island fresh-sea-air-and-cool-water revitalization. Sits at the crisp-and-cool end of the grid, parallel to fresh and bracing in usage.
Latin luna, moon. As a color modifier, luna implies a moonlit-and-silver-and-pale-night quality, the visual register of full-moon-and-Selene-Diana-Luna hand-moonlit-and-silver-and-pale-night full-moon-and-Selene-Diana-Luna-and-Mare-Tranquillitatis luna-and-moonlit-and-silver-and-pale-night surfaces under full-moon-and-Selene-Diana-Luna-and-Mare-Tranquillitatis night-meadow-and-tarn-and-monastic-cloister silver-night-light. Sits at the modifier-and-cosmic end of the grid, parallel to sol and terra in usage.
The basic copper carbonate that forms on weathered copper and bronze — the pigment scraped from oxidized metal and used in Renaissance painting before being supplanted by more stable greens. The color refers to a thick verdigris on aged copper roofing or the Statue of Liberty's surface: a soft, slightly muted blue-green with the powdery finish of mineral oxide. Cooler than patina, warmer than seafoam, with the archaeological weight of a mineral made by time.
Closest matches
The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.
Variations
Click any swatch to exploreHarmonies
Accessibility
How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.
The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.