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Lordly Kuchinashi

#b64c2a
Notes

Lordly Kuchinashi (#B64C2A) is a true orange with a warm character. It leans warm, pulling light toward red, orange, and yellow. Naturally inviting, it suits editorial and hospitality contexts. Its HSL profile (15°, 63%, 44%) places it in the balanced band at a mid lightness. It works across type, buttons, and borders, saturated enough to feel deliberate but balanced enough to not fight the rest of the palette. For a confident two-color system, pair it with its complementary cyan. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b64c2a
RGB
rgb(182, 76, 42)
HSL
hsl(15, 63%, 44%)
HWB
hwb(15 16% 29%)
OKLCH
oklch(55.0% 0.146 37.9)
P3
color(display-p3 0.6634 0.3235 0.2038)
HSV
hsv(15, 77%, 71%)
LAB
lab(46.02% 41.03 40.64)
LCH
lch(46.02% 57.75 44.72)
CMYK
cmyk(0%, 58%, 77%, 29%)

Etymology

Lordly
adjective

Old English hlāford-līc, lord-like — adjectival suffix -ly. As a color modifier, lordly implies a saturated-and-aristocratic-and-haughty quality, the deep-rich color of pre-modern English-and-French manorial-aristocracy livery and hereditary-estate household-textile. Sits at the bold-and-aristocratic end of the grid, parallel to princely and patrician.

Kuchinashi
noun

Gardenia jasminoides — the gardenia plant, whose dried fruit yields a yellow-orange dye used in Japanese textile and food coloring (yellow rice, pickled radish). Kuchinashi-iro refers to a soft, slightly muted gold-orange. The color is kuchinashi-dyed silk: a warm, slightly muted yellow-orange with the matte finish of plant-derived pigment. Cooler than saffron, drier than goldenrod.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b64c2a
Original
#695e26
Protanopia
#837627
Deuteranopia
#c83445
Tritanopia
#606060
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAon White
5.18:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AA Largeon Black
4.06:1

Wide gamut

Display P3 representation

The CSS Color 4 wide-gamut form of this color. Both swatches render the same color on every display — the P3 form only diverges from sRGB when a designer pushes channels outside sRGB's reach.

sRGB hex
sRGB hex
##B64C2A
Display P3
Display P3
color(display-p3 0.6634 0.3235 0.2038)
P3 has subtle headroomOKLCH chroma 0.146

Moderately saturated colors gain a small bump in P3 — the difference is usually visible side-by-side on wide-gamut hardware but won't change the character of the color.

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