Bold Silk Crimson

Old English beald, brave, courageous — a quality word that crossed over to color in the late seventeenth century. Bold describes a color that asserts itself: high saturation combined with mid lightness, where the hue presents itself without compromise. Sits at the center of the bold-bucket grid, near strong and rich. Closer to a presence word than a pigment word.

Old English sēolc, silk. As a color modifier, silk implies a smooth-and-lustrous-textile quality, the visual register of Chinese-Han-and-Italian-Renaissance-silk hand-reeled silk-fiber-and-mulberry-leaf-silkworm Han-and-Renaissance silk-textile surfaces under hand-reeled-silk-textile filtered light. Sits at the modifier-and-texture end of the grid, parallel to wool and lace in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.