Earnest Sigh Crimson

Old English eornost, seriousness, zeal. Used as a color modifier since the nineteenth century for hues that read as committed but unshowy — the working blues of denim, the deep greens of Quaker meetinghouses. Sits in the bold-and-quiet corner of the grid, slightly less luminous than resolute and slightly less institutional than imperial.

Middle English sighen, to-breathe-out-audibly. As a color modifier, sigh implies a breathed-out-and-released-and-wistful quality, the visual register of Romantic-poet-and-pining-lover-sigh hand-breathed-out-and-released-and-pining Romantic-poet-and-pining-lover-and-bedside-vigil sighed-and-released-and-breathed-out surfaces under Romantic-poet-and-pining-lover candle-lit-and-bedside-vigil window-and-balcony-light. Sits at the modifier-and-mood end of the grid, parallel to yearn and brood in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.