Gladiatorial Ignis Crimson

Latin gladiātōrius, of the gladiator — adjectival suffix, derived from gladius (short-sword). As a color modifier, gladiatorial implies a saturated-and-combative-and-bloody quality, the deep-rich color of Roman-Colosseum gladiator-arena bloody-tunic-and-shield combat-attire. Sits at the bold-and-formal end of the grid, parallel to spartan and valiant.

Latin ignis, fire. As a color modifier, ignis implies a Latin-fire-and-ignis-fatuus-and-sacred-fire quality, the visual register of Vestal-fire-and-ignis-fatuus hand-Latin-fire-and-ignis-fatuus-and-sacred-fire Vestal-fire-and-ignis-fatuus-and-Roman-Vesta-temple ignis-and-Latin-fire-and-Vestal-flame surfaces under Vestal-fire-and-ignis-fatuus-and-Roman-Vesta-temple Vestal-Virgin-and-Forum-Romanum sacred-flame-light. Sits at the modifier-and-Latin end of the grid, parallel to lux and ventus in usage.

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.