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Firm Knit Crimson

#b20522
Notes

Firm Knit Crimson (#B20522) is a true red with a jewel character. It carries the deep, saturated richness of a gemstone. Authoritative and slightly formal, it works well for type and heavy UI elements. Its HSL profile (350°, 95%, 36%) places it in the highly saturated band at a mid lightness. Best used in small doses, like logos, CTAs, focus rings, or highlight text, where its saturation becomes a feature rather than noise. For a confident two-color system, pair it with its complementary teal. For something softer, pull in its analogous neighbors on either side of the wheel.

HEX
#b20522
RGB
rgb(178, 5, 34)
HSL
hsl(350, 95%, 36%)
HWB
hwb(350 2% 30%)
OKLCH
oklch(48.3% 0.193 23.5)
HSV
hsv(350, 97%, 70%)
LAB
lab(37.28% 61.16 35.80)
LCH
lch(37.28% 70.87 30.34)
CMYK
cmyk(0%, 97%, 81%, 30%)

Etymology

Firm
adjective

Latin firmus, strong / stable — sharing root with English farm (originally a fixed-yearly-rental). As a color modifier, firm implies a saturated-and-resolute quality where the hue holds its visual position without wavering. Sits at the bold-and-firm end of the grid, parallel to steadfast and unwavering in usage.

Knit
modifier

Old English cnyttan, to-knit. As a color modifier, knit implies a hand-knitted-loop-and-stitch quality, the visual register of Aran-Island-and-Fair-Isle-knit hand-knitted-and-cabled wool-and-yarn jumper-and-cardigan knit-textile surfaces under Aran-and-Fair-Isle hand-knitted-cable-and-jumper textile light. Sits at the modifier-and-texture end of the grid, parallel to woven and yarn in usage.

Crimson
noun

From the Old Spanish cremesin, itself from the Arabic qirmiz — the kermes scale insect, dried and ground into a brilliant carmine dye prized in the medieval Mediterranean. For centuries the most expensive red on a draper's shelf, reserved for cardinals, kings, and the cloth that gave English the word crimson. Cooler than scarlet, deeper than rose; the color of pomegranate seeds and a serious occasion.

Closest matches

The nearest named color in three reference sources, ranked by perceptual distance (ΔE76 in CIELAB). ΔE < 1 is imperceptible to most viewers; ΔE > 10 is clearly different. When two sources point to the same hex they’re merged into one tile; click any to open that color’s page.

Variations

Click any swatch to explore

Harmonies

Accessibility

Color-vision simulation

How this color appears to viewers with the four major color-vision-deficiency types. Computed via the Machado (2009) physiologically-based model. If a tile matches the original, the color reads the same to that viewer.

#b20522
Original
#494221
Protanopia
#70641a
Deuteranopia
#c50016
Tritanopia
#2c2c2c
Achromatopsia
WCAG contrast

The color used as foreground text against pure white and pure black, with the contrast ratio and WCAG 2.1 grade. Aim for AA (4.5:1) for body text and AA Large (3:1) for 18 pt+ headlines; AAA (7:1) is the gold standard for long-form reading surfaces.

The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
AAAon White
7.15:1
The quick brown foxSample body text at normal size. The wcag minimum for body contrast is 4.5:1 (AA) or 7:1 (AAA).
Failon Black
2.94:1

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